Yeh

medranochav asked: i finna miss you boo.

bb boy. i don’t even want to step in a library if it doesn’t have you in it

dcperformanceart:

Eleanor Barba: A Brief Reminder of Our Even Briefer Encounter

Performance, Watercolor, Watercolor Paper, Pulleys, Rope, Acrylic Paint

Part of the NEXT show at the Corcoran.  Video documentation of performance, along with installation produced through the performance.  Usually, I find it a little redundant to have the video of the performance alongside the installation, but this work made me pause and really consider the relationship of these two documentations of the same performance.  What the video did was force me to spend some more time in front of the work, between the two pieces.  In incorporating video, which is inherently time-based, the trace of the duration of the performance is emphasized.  The installation is imposing, dominating the whole room, and a quickly read text.  In front of the wall hanging are chairs and the paint materials used in the performance.  I noticed that Eleanor lists “Performance” as one of the mediums alongside the materials that physically constitute the piece, but leaves out the chairs, bucket, and brushes.  It is as if she is locating that part of the installation within “performance,” where the installation is disparate.  It made me think of Joseph Kosuth’s One and Three Chairsan early conceptual work that consists of an actual physical chair, a photo of a chair, and a printed definition of “chair.”  A Brief Reminder of Our Even Briefer Encounter is installation, video, museum wall text, with performance situated somewhere in the forefront but absent in my encounter with it.  It may be that I sometimes deify performance, and I had to consider what the implications are of listing performance right there with the physical materials.  What does it do to reiterate the installation in a much smaller video, documenting it’s production as an integral part of looking at the finished piece?  There’s a layered significance in the title, “reminder” and the persistance of the performance in the installation and video, “encounter” and the actual physical presence of the body of the artists making the text with her body.  

Eleanor is performing this Thursday at Soapbox, a piece called Letter to Margie; She Will Never See This.  Soapbox is at Hillyer Art Space, 9 Hillyer Ct NW DC, 7-9pm

gushgushgush

i just really want to go bowling

i just really want to go bowling

A Cavalier Roomate

and lube on the night stand. I’ll always have the penis I gave it to saved a jpeg on my desktop in a folder called, “icktures.”

Drunk kickball is angry kick ball. We all wore face paint and told the coordinator our name was “off in the shower” because facepaint washes off in the shower.

So when we lost, the other team (full of such douchers) “beat off in the shower.”

men are the werst

I wanna bitch about

under class man. and how they go on about their studio practice and post continulosuly about their shitty work on facebook. “in studio sooo much. art school! soooo tired in the studio.”

go out and get drunk and have a college experience you twats. 

i’m petty, but i am so annoyed by their existence

making out is all i ever want from made-up holidays. i hope the third date is the real datem  i haven’t spoken to anyone real all night